Barchas, Janine. Graphic Design, Print Culture, and the Eighteenth-Century Novel. Cambridge, U.K. : Cambridge University Press, 2003.

Barker, Hannah, and Simon Burrows. “Introduction,” In Press, Politics and the Public Sphere in Europe and North America, 1760-1820. Hannah Barker and Simon Burrows, eds. (Cambridge: Cambridge University Press, 2002), 1-22.

Barlow, Jeremy. The Enraged Musician: Hogarth’s Musical Imagery. Aldershot, Hampshire, England & Burlington, VT: Ashgate, 2005.

Bennett, Tony. “The Exhibitionary Complex.” In The Nineteenth-Century Visual Culture Reader. Edited by Vanessa Schwartz and Jeannene M. Przyblyski. (London: Routledge, 2004), 117-29.

Bolter, J. D., and Richard A. Grusin. Remediation: Understanding New Media. Cambridge, Mass: MIT Press, 1999.

Crow, Thomas E. Painters and Public Life in Eighteenth-Century Paris. New Haven: Yale University Press, 1985.

Dart, Gregory. “‘Flash Style’: Pierce Egan and Literary London 1820-28,” History Workshop Journal 51 (2001): 181-205.

Eisenstein, Elizabeth L. The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early-Modern Europe, Vol. 1. Cambridge: Cambridge University Press, 1979.

Eliot, Simon, and Jonathan Rose. A Companion to the History of the Book. Malden, MA & Oxford: Blackwell Pub, 2007.

Fort, Bernadette.“Voice of the Public: The Carnivalization of Salon Art in Prerevolutionary Pamphlets.”Eighteenth-Century Studies 22, no. 3 (Special Issue: The French Revolution in Culture, Spring, 1989): 368-394.

Golden, Catherine J. Posting It: The Victorian Revolution in Letter Writing. Gainesville: University of Florida Press, 2009.

Habermas, Jürgen. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Trans. Thomas Burger. Cambridge, Mass.: MIT Press, 1991.

Halsey, Katie, and Jane Slinn. The Concept and Practice of Conversation in the Long Eighteenth Century, 1688-1848. Newcastle: Cambridge Scholars Publishing, 2008.

Johns, Adrian. The Nature of the Book: Print and Knowledge in the Making. Chicago, Ill.: University of Chicago Press, 1998.

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Sechelski, Denise S. “Garrick’s Body and the Labor of Art in Eighteenth-Century Theater.” Eighteenth-Century Studies 29, no. 4 (Summer 1996): 369-389.

Solkin, David H. Art on the Line: The Royal Academy Exhibitions at Somerset House, 1780-1836. New Haven, Conn.: Published for the Paul Mellon Centre for Studies in British Art and the Courtauld Institute Gallery by Yale University Press, 2001.

Uphaus, Robert W. “The Ideology of Reynolds’ Discourses on Art,” Eighteenth-Century Studies 12, no. 1 (Autumn, 1978): 59-73.

Wanko, Cheryl. “Three Stories of Celebrity: The Beggar’s Opera ‘Biographies’.” Studies in English Literature, 1500-1900 38, no. 3 (Summer, 1998): 481-498.

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